Terrence Frederick Malick (born November 30, 1943) is an American film director, screenwriter, and producer.
Malick began his career as part of the New Hollywood film-making wave with the films Badlands (1973), about a murderous couple on the run in 1950s American Midwest, and Days of Heaven (1978), which detailed a love triangle between two laborers and a wealthy farmer during the First World War, before a lengthy hiatus.
He returned to directing after twenty years with The Thin Red Line (1998), for which he was nominated for Academy Awards for Best Director and Best Adapted Screenplay and was awarded the Golden Bear at the 49th Berlin International Film Festival, followed by The New World (2005) and The Tree of Life (2011), the latter for which he received another Academy Award nomination for Best Director and the Palme d'Or at the 64th Cannes Film Festival.
Malick's films have explored themes such as transcendence, nature, and conflicts between reason and instinct. They are typically marked by broad philosophical and spiritual overtones, as well as the use of meditative voice-overs from individual characters. The stylistic elements of the director's work have inspired divided opinions among film scholars and audiences; some praised his films for their cinematography and aesthetics, while others found them lacking in plot and character development. His first five films have nonetheless ranked highly in retrospective decade-end and all-time polls.
's Vom Wesen des Grundes (The Essence of Reasons)
was translated into English by Malick and published in 1969.
Terrence Malick was born in Ottawa, Illinois. He is the son of Irene (née Thompson; 1912–2011) and Emil A. Malick (1917–2013), a geologist. His paternal grandparents were of Lebanese and Assyrian descent from Urmia. Malick attended St. Stephen's Episcopal School in Austin, Texas, while his family lived in Bartlesville, Oklahoma. Malick had two younger brothers: Chris and Larry. Larry Malick was a guitarist who went to study in Spain with Andrés Segovia in the late 1960s. In 1968, Larry intentionally broke his own hands due to pressure over his musical studies. Their father Emil went to Spain to help Larry, but his son died shortly after, possibly by suicide. The early death of Malick's younger brother has been explored and referenced in his films The Tree of Life (2011) and Knight of Cups (2015).
Malick received a B.A. in philosophy from Harvard College, graduating summa cum laude and Phi Beta Kappa in 1965. He started a BPhil in philosophy (a two-year master's degree) at Magdalen College, Oxford, as a Rhodes Scholar. After a disagreement with his advisor, Gilbert Ryle, over his thesis on the concept of world in Kierkegaard, Heidegger, and Wittgenstein, Malick left Oxford without a degree. In 1969, Northwestern University Press published Malick's translation of Heidegger's Vom Wesen des Grundes as The Essence of Reasons.
After returning to the United States, Malick taught philosophy at Massachusetts Institute of Technology while freelancing as a journalist. He wrote articles for Newsweek, The New Yorker, and Life.
Malick started his film career after earning an MFA from the brand-new AFI Conservatory in 1969, directing the short film Lanton Mills. At the AFI, he established contacts with people such as actor Jack Nicholson, longtime collaborator Jack Fisk, and agent Mike Medavoy, who procured for Malick freelance work revising scripts. He wrote early uncredited drafts of Dirty Harry (1971) and Drive, He Said (1971), and is credited with the screenplay for Pocket Money (1972). Malick was also co-writer of The Gravy Train (1974), under the pseudonym David Whitney. After one of his screenplays, Deadhead Miles, was made into what Paramount Pictures believed was an unreleasable film, Malick decided to direct his own scripts.
Malick's first feature-length work as a director was Badlands, an independent film starring Martin Sheen and Sissy Spacek as a young couple on a crime spree in the 1950s Midwest. It was influenced by the crimes of convicted teenage spree killer Charles Starkweather.  Malick raised half of the budget by approaching people outside of the industry, including doctors and dentists, and by contributing $25,000 from his personal savings. The rest was raised by executive producer Edward R. Pressman. After a troubled production that included many crew members leaving halfway through the shoot, Badlands drew raves upon its premiere at the New York Film Festival. As a result, Warner Bros. bought distribution rights for three times its budget.
Days of Heaven
Malick's second film was the Paramount-produced Days of Heaven, about a love triangle that develops in the farm country of the Texas Panhandle in the early 20th century. Production began in the fall of 1976 in Alberta, Canada. The film was mostly shot during the golden hour, with primarily natural light. Much like Malick's first feature, Days of Heaven had a lengthy and troubled production, with several members of the production crew quitting before shooting was finished, mainly due to disagreements over Malick's idiosyncratic directorial style. The film likewise had a troubled post-production phase, as Billy Weber and Malick spent two years editing, during which they experimented with unconventional editing and voice-over techniques once they realized the picture they had set out to make would not fully work.
Days of Heaven was finally released in 1978 to mostly positive responses from critics. Its cinematography was widely praised, although some found its story lackluster. In The New York Times, Harold C. Schonberg wrote that it "is full of elegant and striking photography; and it is an intolerably artsy, artificial film." However, it later won the Academy Award for Best Cinematography and the prize for Best Director at the 1979 Cannes Film Festival. Days of Heaven has since grown in stature, having been voted one of the 50 greatest American films ever made in a 2015 critics' poll published by BBC.
Following the release of Days of Heaven, Malick began developing a project for Paramount, titled Q, that explored the origins of life on earth. During pre-production, he suddenly moved to Paris and disappeared from public view for years. During this time, he wrote a number of screenplays, including The English Speaker, about Josef Breuer's analysis of Anna O.; adaptations of Walker Percy's novel The Moviegoer and Larry McMurtry's The Desert Rose; a script about Jerry Lee Lewis; and a stage adaptation of the Japanese film Sansho the Bailiff which was to be directed by Polish filmmaker Andrzej Wajda, in addition to continuing work on the Q script. Although Q has never been made, Malick's work for the project provided material for his later film The Tree of Life and eventually became the basis for Voyage of Time. Jack Fisk, a longtime production designer on the director's films, said that Malick was shooting film during this time as well.
Return to cinema
The Thin Red Line
Malick returned to directing in 1997 with The Thin Red Line, a work released two decades after his previous film. A loose adaptation of James Jones' World War II novel of the same name, it features a large ensemble cast including Sean Penn, Adrien Brody, Jim Caviezel, Nick Nolte, Ben Chaplin, Elias Koteas, Woody Harrelson and George Clooney. Filming took place predominantly in the Daintree Rainforest in Queensland, Australia, and the Solomon Islands.
The film received critical acclaim, was nominated for seven Academy Awards, and won the Golden Bear at the 49th Berlin International Film Festival. The Thin Red Line has since been ranked among the best films of the 1990s in Complex, The A.V. Club, Slant, Paste, and Film Comment.
The New World
After learning of Malick's work on an article about Che Guevara during the 1960s, Steven Soderbergh offered Malick the chance to write and direct a film about Guevara that he had been developing with Benicio del Toro. Malick accepted and produced a screenplay focused on Guevara's failed revolution in Bolivia. After a year and a half, the financing had not come together entirely, and Malick was given the opportunity to direct The New World, a script he had begun developing in the 1970s. He left the Guevara project in March 2004, and Soderbergh took over as director, leading to the film Che (2008). The New World, which featured a romantic interpretation of the story of John Smith and Pocahontas in the Virginia Colony, was released in 2005. Over one million feet of film were shot, and three different cuts of varying lengths were released.
While the film was nominated for the Academy Award for Best Cinematography, critical reception was divided throughout its theatrical run; many praised its visuals and acting while finding its narrative unfocused. However, The New World was later named by five critics as one of the best films of its decade, and appeared in 39th place on a 2016 BBC poll of the greatest films since 2000.
The Tree of Life
Malick's fifth feature, The Tree of Life, was filmed in Smithville, Texas, and elsewhere during 2008. Starring Brad Pitt, Jessica Chastain, and Sean Penn, it is a family drama spanning multiple time periods; it focuses on an individual's struggle to reconcile love, mercy and beauty with the existence of illness, suffering and death. It premiered at the 2011 Cannes Film Festival, where it won the Palme d'Or. It later won the FIPRESCI Award for the Best Film of the Year. At the 84th Academy Awards, it was nominated for three awards, including the Academy Award for Best Picture, Best Director for Malick, and Best Cinematography for Emmanuel Lubezki.  A limited theatrical release in the United States began on May 27, 2011.
Malick scholars Christopher B. Barnett and Clark J. Elliston wrote that it became "arguably [Malick's] most acclaimed work". It was voted the 79th greatest American film of all time in a 2015 BBC Culture poll of 62 international film critics. The work was also ranked the seventh-greatest film since 2000 in a worldwide critics' poll by BBC.
To the Wonder
Malick's sixth feature, To the Wonder, was shot predominantly in Bartlesville, Oklahoma; a few scenes were filmed in Pawhuska, Oklahoma and at the Tulsa Port of Catoosa. The film stars Ben Affleck, Rachel McAdams, Olga Kurylenko, and Javier Bardem.
To the Wonder had its world premiere at the 69th Venice International Film Festival on September 2, 2012, and opened theatrically in the United States on April 12, 2013. Critical response to the film was markedly divided, and the work has been described as "arguably [Malick's] most derided".
Knight of Cups and Song to Song
On November 1, 2011, Filmnation Entertainment announced international sales for Malick's next two projects: Lawless (now titled Song to Song) and Knight of Cups. Both films feature large ensemble casts, with many of the actors crossing over into both films. The films were shot back-to-back in 2012, with Song to Song primarily shot in Austin, Texas, and Knight of Cups in Los Angeles and Las Vegas.
During the weekend of September 16, 2011, Malick and a small crew were seen filming Christian Bale and Haley Bennett at the Austin City Limits Music Festival as part of preliminary shooting for Song to Song. Malick was also seen directing Ryan Gosling and Rooney Mara at the Fun Fun Fun Fest on November 4, 2011.
Knight of Cups had its world premiere at the Berlin International Film Festival in February 2015, and was met with mixed reactions. It was released in the United States on March 4, 2016, by Broad Green Pictures.
Song to Song had its world premiere at South by Southwest on March 10, 2017, before being released theatrically in the United States on March 17, 2017, by Broad Green Pictures, and has been met with mixed reactions.
Voyage of Time
Concurrent with these two features, Malick continued work on an IMAX documentary that examines the birth and death of the known universe, titled Voyage of Time. The Hollywood Reporter described it as "a celebration of the Earth, displaying the whole of time, from the birth of the universe to its final collapse." The film is the culmination of a project that Malick has been working on for over forty years, and has been described by Malick himself as "one of my greatest dreams". The film features footage shot by Malick and collaborators over the years, and expands on the footage that special effects luminaries Douglas Trumbull (2001) and Dan Glass (The Matrix) created for The Tree of Life.
The film was released in two versions: a 40-minute IMAX version (Voyage of Time: The IMAX Experience) with narration by Brad Pitt, and a 90-minute feature-length version (Voyage of Time: Life's Journey) with narration by Cate Blanchett. The feature-length version had its world premiere on September 7, 2016 at the 73rd Venice International Film Festival. The IMAX version of the film was released in IMAX on October 7, 2016, by IMAX Corporation and Broad Green Pictures.
A Hidden Life
Malick's next film, A Hidden Life, depicted the life of Austria's Franz Jägerstätter, a conscientious objector during World War II who was put to death at the age of 36 for undermining military actions, and was later declared a martyr and beatified by the Catholic Church. Starring in the film as Jägerstätter is August Diehl, with Valerie Pachner as his wife Franziska Jägerstätter.
The film was shot in Studio Babelsberg in Potsdam, Germany, in the summer of 2016, and in parts of northern Italy, such as Brixen, South Tyrol, and the small mountain village of Sappada.
A Hidden Life was released in 2019. Speaking about the film in a Q&A in Princeton, New Jersey, Malick said that, compared with his more recent films, with A Hidden Life he had "repented and gone back to working with a much tighter script."
Notes of a Woman
In August and/or September 2016, Malick directed a commercial, titled "Notes of a Woman" and released on February 26, 2017, for the Mon Guerlain perfume. Starring Angelina Jolie, it was shot at her and Brad Pitt's Château Miraval estate in Correns and photographed by Austrian cinematographer Christian Berger.
On October 31, 2018, it was announced he would be executive producing a documentary about rapper Lil Peep. The film premiered at SXSW on March 10, 2019 under the title Everybody's Everything and was later released in theaters internationally on November 12, 2019.
On June 7, 2019, Malick reportedly started shooting his next film, The Last Planet, near Rome, Italy. The film will tell the story of Jesus Christ’s life through a series of parables. On September 8, the cast was revealed to include Géza Röhrig as Christ, Matthias Schoenaerts as Saint Peter, and Mark Rylance as four versions of Satan. On November 20, 2020 it was announced that the name was changed to The Way of the Wind.
Themes and style
Malick's films have been noted by critics for their philosophical themes. According to film scholar Lloyd Michaels, the director's primary themes include "the isolated individual's desire for transcendence amidst established social institutions, the grandeur and untouched beauty of nature, the competing claims of instinct and reason, and the lure of the open road". He named Days of Heaven as one in a group of acclaimed films from the 1970s that were intended to revolutionize the American film epic. Like The Godfather films, 1975's Nashville, and The Deer Hunter (1978), Michaels argued that the movie delves into "certain national myths" as an idiosyncratic type of Western, "particularly the migration westward, the dream of personal success, and the clash of agrarian and industrial economies". Roger Ebert considered Malick's body of work to have a unifying common theme: "Human lives diminish beneath the overarching majesty of the world." In Ebert's opinion, Malick is among the few remaining directors who yearn "to make no less than a masterpiece". While reviewing The Tree of Life, New York Times critic A. O. Scott compared the director to innovative "homegrown romantics" such as the writers Walt Whitman, Hart Crane, James Agee, and Herman Melville, in the sense that their "definitive writings" also "did not sit comfortably or find universal favor in their own time" but nonetheless "leaned perpetually into the future, pushing their readers forward toward a new horizon of understanding".
Malick's body of work has inspired polarized opinions. According to Michaels, "few American directors have inspired such adulation and rejection with each successive film" as Malick. Michaels said that in all of American cinema, Malick is the filmmaker most frequently "granted genius status after creating such a discontinuous and limited body of work". Malick makes use of broad philosophical and spiritual overtones, such as in the form of meditative voice-overs from individual characters. Some critics felt these elements made the films engaging and unique while others found them pretentious and gratuitous, particularly in his post-hiatus work. Michaels believed the opinions Days of Heaven continues to elicit among scholars and film enthusiasts is exemplary of this: "The debate continues to revolve around what to make of 'its extremeties of beauty', whether the exquisite lighting, painterly compositions, dreamy dissolves, and fluid camera movements, combined with the epic grandeur and elegiac tone, sufficiently compensate for the thinness of the tale, the two-dimensionality of the characters, and the resulting emotional detachment of the audience." Reverse Shot journalist Chris Wisniewski regarded both Days of Heaven and The New World not as "literary nor theatrical" but "principally cinematic" in their aesthetic, intimating narrative, emotional, and conceptual themes through the use of "image and sound" instead of "foregrounding dialogue, events or characters". He highlighted Malick's use of "rambling philosophical voiceovers; the placid images of nature, offering quiet contrast to the evil deeds of men; the stunning cinematography, often achieved with natural light; the striking use of music".
While the common conception of Malick as a recluse is inaccurate, he is nevertheless famously protective of his private life. His contracts stipulate that his likeness may not be used for promotional purposes, and he routinely declines requests for interviews.
From 1970 to 1976, Malick was married to Jill Jakes. His companion afterward in the late 1970s was director and screenwriter Michie Gleason. In 1985 in France, he married Michèle Marie Morette, whom he met in Paris in 1980; in 1996, Malick asked for a divorce, which was granted. Afterward he married Alexandra "Ecky" Wallace, his high-school sweetheart.
Malick's semi-autobiographic film To the Wonder was inspired by his relationships with Morette and Wallace.
As of at least 2011, Malick lives in Austin, Texas.
Awards and nominations
Malick has received three Academy Award nominations; two for Best Director, for The Thin Red Line and The Tree of Life, and a nomination for Best Adapted Screenplay for the former film. He was awarded the Golden Bear at the 49th Berlin International Film Festival for The Thin Red Line, and the Palme d'Or at the 64th Cannes Film Festival for The Tree of Life.
- ^ Ankeny, Jason (2008). "Terrence Malick – Biography – Movies & TV". Movies & TV Dept. The New York Times. Baseline & All Movie Guide. Archived from the original on June 16, 2008. Retrieved May 25, 2010.
- ^ Hill, Derek (2008). "The Movie Brats: Hollywood Regeneration". Charlie Kaufman and Hollywood's Merry Band of Pranksters, Fabulists and Dreamers: An Excursion Into the American New Wave. Oldcastle Books. ISBN 978-1842433928.
- ^ Solomons, Jason (July 2, 2011). "Terrence Malick: The return of cinema's invisible man". The Observer. The Guardian. Retrieved July 6, 2014.
- ^ Walsh, David. "A horrible state of war". www.wsws.org. World Socialist Website. Retrieved July 6, 2014.
- ^ "Bartlesville resident Irene Malick, mother of filmmaker, dead at 99; services today". Examiner Enterprise. Bartlesville. December 21, 2011. Retrieved February 27, 2012.
- ^ "Emil A. Malick Obituary: View Emil Malick's Obituary by Examiner-Enterprise". Legacy.com. Retrieved May 22, 2014.
- ^ a b Michaels, Lloyd (2009). Terrence Malick (revised ed.). University of Illinois Press. p. 14. ISBN 978-0-252-07575-9.
- ^ Tucker, Thomas Deane; Kendall, Stuart, eds. (2011). Terrence Malick: Film and Philosophy. Bloomsbury. ISBN 978-1-4411-4895-7.
- ^ Jr, Paul Maher (February 7, 2015). One Big Soul: An Oral History of Terrence Malick. Lulu Press, Inc. ISBN 978-1-312-88744-2.
- ^ Eric Benson. "The Not-So-Secret Life of Terrence Malick". Texas Monthly. Retrieved March 15, 2017.
- ^ Solomons, Jason (July 3, 2011). "Terrence Malick: The return of cinema's invisible man". The Observer. Retrieved July 3, 2011.
- ^ "The secret life of Terrence Malick". The Independent. May 24, 2011. Retrieved March 22, 2019.
- ^ Biskind, Peter. Easy Riders, Raging Bulls, Simon and Schuster, 1998. pp.248–249.
- ^ a b Wickman, Forrest (April 13, 2013). "Terrence Malick's Personal Period". Slate. ISSN 1091-2339. Retrieved February 10, 2016.
- ^ "Berlinale 2015. Dialogues: Terrence Malick's "Knight of Cups" on Notebook | MUBI". mubi.com. Retrieved February 10, 2016.
- ^ Tucker, Thomas Deane; Kendall, Stuart, eds. (2011). Terrence Malick: Film and Philosophy. Bloomsbury. ISBN 978-1-4411-4895-7.
- ^ Bowles, Scott (December 16, 2005). "The Terrence Malick file". USA Today. Retrieved May 25, 2010.
- ^ Scott B. (February 19, 2002). "IGN: Featured Filmmaker: Terrence Malick". Movies.ign.com. Retrieved January 2, 2011.
- ^ DVD of the Week: Badlands|The New Yorker
- ^ Gilbey, Ryan (August 22, 2008). "The start of something beautiful". The Guardian.
- ^ Walker, Beverly (Spring 1975), "Malick on Badlands", Sight and Sound, 44 (2), pp. 82–83 – via Eskimo North
- ^ Stafford, Jeff (2008). "Badlands". Turner Classic Movies. Retrieved October 19, 2010.
- ^ "Only in the 70s: Days of Heaven (1978)". February 26, 2015. Retrieved March 25, 2017.
- ^ Biskind, Peter. Easy Riders, Raging Bulls, Bloomsbury, 1998. pp.296–297.
- ^ "Terrence Malick's Days of Heaven". Museum of Modern Art. Retrieved December 16, 2016.
- ^ Tucker, Thomas Deane; Kendall, Stuart, eds. (2011). Terrence Malick: Film and Philosophy. Bloomsbury. ISBN 9781441148957.
- ^ Eng, Monica (October 9, 1978). "Days of Heaven". The Chicago Tribune. Retrieved December 16, 2016. "Some critics have complained that the "Days of Heaven" story is too slight."
- ^ Ebert, Roger (December 7, 1997). "Days of Heaven Movie Review & Film Summary (1978)".
- ^ Schonberg, Harold C. (September 14, 1978). "Movie Review – Days of Heaven". The Washington Post.
- ^ Runyon, Christopher (March 28, 2013). "The Terrence Malick Retrospective: Days of Heaven". Movie Mezzanine. Retrieved December 16, 2016. "[...] you simply can’t take up a list of "rediscovered classics" without mentioning Terrence Malick's follow-up to Badlands [...]"
- ^ "The 100 greatest American films". BBC. July 20, 2015. Retrieved October 19, 2016.
- ^ a b c Biskind, Peter (August 1999). "The Runaway Genius". Vanity Fair. Retrieved October 20, 2010.
- ^ Gillis, Joe (December 1995). "Waiting for Godot". Los Angeles.
- ^ "The Tree of Life". Time Out New York. May 24, 2011. Retrieved May 27, 2011.
- ^ Ebiri, Blige (May 23, 2011). "Thirty-Three Years of Principal Filming". New York magazine. pp. 84–85.
- ^ "The War Within". Retrieved March 25, 2017.
- ^ "The Thin Red Line". Rotten Tomatoes. Retrieved May 29, 2011.
- ^ "The Thin Red Line Reviews". Metacritic. Retrieved October 22, 2016.
- ^ "Berlinale: 1999 Prize Winners". berlinale.de. Retrieved February 4, 2012.
- ^ "The 50 Best Movies of the '90s". Complex. June 22, 2013. Retrieved June 28, 2017.
- ^ "The 50 best films of the '90s (2 of 3)". The A.V. Club. October 9, 2012. Retrieved June 28, 2017.
- ^ "The 100 Best Films of the 1990s". Slant. November 5, 2012. Retrieved June 28, 2017.
- ^ Dunaway, Michael (July 10, 2012). "The 90 Best Movies of the 1990s". Paste. Retrieved June 28, 2017.
- ^ "Film Comment's Best of the Nineties Poll: Part Two". Film Comment. 2000. Retrieved June 28, 2017.
- ^ Taubin, Amy (September–October 2008). "Guerrilla Filmmaking on an Epic Scale". Film Comment. Retrieved May 17, 2011.
- ^ a b Tartaglione, Nancy (March 10, 2004). "Malick's Che decision deals morale-denting blow to indie sector". Screen Daily. Retrieved October 20, 2010.
- ^ Sterritt, David (July 2006). "Film, Philosophy and Terrence Malick". Undercurrents. FIPRESCI. Archived from the original on October 29, 2010. Retrieved October 20, 2010.
- ^ "The New World Movie Reviews, Pictures". Rotten Tomatoes. Retrieved January 2, 2011.
- ^ "Film Critics Pick the Best Movies of the Decade". Metacritic. January 3, 2010. Retrieved October 22, 2016.
- ^ a b "The 21st century's 100 greatest films". BBC. August 23, 2016. Retrieved October 9, 2016.
- ^ "Festival de Cannes: Official Selection". Cannes. Retrieved April 14, 2011.
- ^ The Artist Wins Best Picture: 2012 Oscars
- ^ Hugo Wins Cinematography: 2012 Oscars
- ^ Excess Hollywood: 'Tree of Life' nabs release date|EW.com
- ^ a b Barnett, Christopher B.; Elliston, Clark J., eds. (2016). "Preface". Theology and the Films of Terrence Malick. Routledge. ISBN 978-1317588276. Retrieved January 30, 2017.
The New World encountered a split reception upon its release in 2005. And yet, as will be mentioned later, the film has grown in stature with time ... Malick followed The Tree of Life, arguably his most acclaimed film, with To the Wonder, arguably his most derided one ... It is too early, then, to analyze the reception of Knights of Cups, though early indications are that, like To the Wonder, critical response will be wildly inconsistent.
- ^ "The 100 greatest American films". BBC. July 20, 2015.
- ^ "To The Wonder rating". Filmratings.com. Archived from the original on March 3, 2017.
- ^ Wells, Jeffrey (August 19, 2012). "Wonder Based on Malick's Romantic Past". hollywood-elsewhere.com. Archived from the original on September 22, 2012. Retrieved September 30, 2012.
- ^ Summers, Laura (October 5, 2010). "'Untitled' Malick film is official, shooting in Bartlesville". Tulsaworld.com. Retrieved January 2, 2011.
- ^ "FilmNation continues relationship with Terrence Malick on two new films". FilmNation Entertainment. November 1, 2011. Archived from the original on November 3, 2011. Retrieved November 3, 2011.
- ^ a b Jagernauth, Kevin (November 4, 2011). "Set Pics of Ryan Gosling & Rooney Mara Shooting Terrence Malick's 'Lawless'". IndieWire. Retrieved November 10, 2011.
- ^ "new Terrence Malick movie being filmed at Fun Fun Fun Fest (Ryan Gosling included)". Brooklyn Vegan. November 5, 2011. Retrieved November 10, 2011.
- ^ Grant, Andrew (February 9, 2016). ""Awful!" vs. Applause: Terrence Malick's Knight of Cups | Filmmaker Magazine". Filmmaker. Retrieved February 10, 2016.
- ^ Lines, Alex (November 19, 2015). "Knight of Cups: Look, But Don't Touch". Film Inquiry. Retrieved February 10, 2016.
- ^ "Berlinale 2015: Malick, Dresen, Greenaway and German in Competition". www.berlinale.de. December 15, 2014. Retrieved January 30, 2017.
- ^ Towers, Andrea (July 23, 2015). "Terrence Malick's Knight of Cups sets 2016 release date". Entertainment Weekly. Retrieved January 30, 2017.
- ^ A. Lincoln, Ross (January 5, 2017). "Terrence Malick's 'Song To Song' To Open SXSW 2017". Deadline Hollywood. Retrieved January 30, 2017.
- ^ Nordine, Michael (January 3, 2017). "'Song to Song' First Look: Terrence Malick's Austin-Set Romantic Drama Lands New Title and Official Premise (Exclusive)". IndieWire. Retrieved January 30, 2017.
- ^ "Terrence Malick's 'Voyage Of Time' Will Push The Boundaries Of Documentary Form | Tribeca". Tribeca. Retrieved February 10, 2016.
- ^ Child, Ben (February 4, 2015). "Terrence Malick finally embarks on Voyage of Time – twice". Retrieved March 25, 2017 – via The Guardian.
- ^ Tartaglione, Nancy (July 28, 2016). "Venice Film Festival: Lido To Launch Pics From Ford, Gibson, Malick & More As Awards Season Starts To Buzz – Full List". Retrieved March 25, 2017.
- ^ "IMAX Corporation Reports First-Quarter 2016 Financial Results Highlights". Retrieved March 25, 2017.
- ^ a b "Terrence Malick Announces Next Film 'Radegund,' Based on the Life of Franz Jägerstätter". The Film Stage. Retrieved June 23, 2016.
- ^ "Trailer For 'The Thin Red Line' Restoration Arrives as Terrence Malick Commences 'Radegund' Shoot". The Film Stage. August 11, 2016. Retrieved March 25, 2017.
- ^ Bruno, Christopher (October 27, 2016). "Terrence Malick talks filmmaking at a rare public speaking event". Little White Lies. Retrieved December 5, 2016.
- ^ Vienna Sound Vienna Light - Gerhard Gutscher GmbH (March 6, 2017). "Mon Guerlain Angelina Jolie in 'Notes of a Woman' Long Version Guerlain" – via YouTube.
- ^ Guerlain (February 26, 2017). "Mon Guerlain - Angelina Jolie in 'Notes of a Woman' - Long Version - Guerlain" – via YouTube.
- ^ Nordine, Michael (February 26, 2017). "Terrence Malick Directed a Perfume Ad Starring Angelina Jolie, Because of Course He Did — Watch". IndieWire. Retrieved March 8, 2018.
- ^ Rodriguez, Cecilia (August 21, 2017). "Brad Pitt, Angelina Jolie Lose Court Case Over Their French Miraval Castle". Forbes. Retrieved March 8, 2018.
- ^ Fansten, Emmanuel (August 16, 2017). "Brad Pitt a coulé ma boîte et s'est approprié mon travail". Libération. Retrieved March 8, 2018.
- ^ "Spot: Mon Guerlain - Alex Brambilla - Camera Operator". January 1, 2018.
- ^ Monroe, Jazz (October 31, 2018). "Lil Peep Documentary in the Works, Executive Produced by Terrence Malick". Pitchfork. Retrieved October 31, 2018.
- ^ Raup, Jordan. "Terrence Malick Begins Shooting New Film 'The Last Planet'". The Film Stage. Retrieved September 9, 2019.
- ^ Shoard, Catherine. "Mark Rylance to play four versions of Satan for Terrence Malick". The Guardian. Retrieved September 9, 2019.
- ^ Newman, Nick (November 20, 2020). "Terrence Malick's The Last Planet Gets New Title". The Film Stage. Retrieved November 20, 2020.
- ^ a b Rybin, Steven (2012). "Introduction". Terrence Malick and the Thought of Film. Rowman & Littlefield. p. xiv. ISBN 978-0739166758.
- ^ a b c Michaels, Lloyd (2009). Terrence Malick. University of Illinois Press. pp. 1, 40–41. ISBN 978-0252075759. Retrieved February 20, 2017.
- ^ Ebert, Roger (June 24, 2011). "Badlands Movie Review & Film Summary (1973)". RogerEbert.com. Ebert Digital LLC. Retrieved July 11, 2016.
- ^ Ebert, Roger (June 2, 2011). "The Tree of Life Movie Review (2011)". RogerEbert.com. Ebert Digital LLC. Retrieved July 11, 2016.
- ^ Scott, A. O. "The Tree of Life (2011)". The New York Times. Retrieved September 25, 2013.
- ^ LaRocca, David (2014). The Philosophy of War Films. The University Press of Kentucky. p. 391. ISBN 978-0813145129.
- ^ Wisniewski, Chris (April 26, 2008). "Terrence Malick's Days of Heaven and The New World". Reverse Shot. Retrieved April 19, 2011.
- ^ Hornaday, Ann (June 2, 2011). "Ann Hornaday on Terrence Malick, 'Tree of Life' and the perils of auteur worship". The Washington Post. Retrieved October 23, 2016.
- ^ Nordine, Michael (May 12, 2013). "Hollywood Bigfoot: Terrence Malick and the 20-Year Hiatus That Wasn't". Los Angeles Review of Books. Retrieved October 23, 2016.
- ^ Thomson, David (September 1, 2011). "Is Days of Heaven the most beautiful film ever made?". The Guardian. Retrieved December 6, 2016. "It was said in the press that he had disappeared, that he was a recluse who declined to become a public personality. I met him in the 90s and it turned out that there was nothing reclusive about him."
- ^ "Rosy-Fingered Dawn – Terrence Malick". Sky Arts. Skyarts.co.uk. January 10, 2010. Archived from the original on October 7, 2010. Retrieved March 21, 2012.
- ^ Davenport, Hayes (December 15, 2005). "Alumni Watch: Terence Malick '65". The Harvard Crimson. Archived from the original on June 5, 2011. Retrieved May 3, 2007.
- ^ a b c d "Terrence Malick". Turner Classic Movies. Retrieved June 24, 2011.
- ^ "Terrence Malick Michele Morette Williamson County Texas Marriage Record". Mocavo.com. Retrieved June 22, 2014.
- ^ a b Blackall, Luke (May 24, 2011). "The secret life of Terrence Malick". The Independent. UK. Archived from the original on June 15, 2012. Retrieved May 12, 2013.
Michele Morette, his late ex-wife of 13 years, revealed that while they were together she wasn't allowed into his office, and that he would rather buy her a copy of a book than lend her his own.
- ^ Penn, Nathaniel (May 1, 2011). "Badlands: An Oral History". GQ. Retrieved May 23, 2014.
- ^ Corliss, Richard. "Terrence Malick's To the Wonder: A Gush of Cosmic Rapture". Time. Retrieved February 10, 2016.
- ^ Wood, Graeme (October 3, 2011). "Brave Thinkers 2011: Terrence Malick". The Atlantic. Archived from the original on August 19, 2012. Retrieved February 21, 2012.
- ^ 2012|Oscars.org
- ^ 1999|Oscars.org
- ^ Steven Spielberg Wins Best Directing: 1999 Oscars
- ^ Michel Hazanavicius Wins Best Director: 2012 Oscars
- ^ Gods and Monsters and Shakespeare in Love Win Writing Awards: 1999 Oscars
- ^ Tree of Life Wins Palme D'or at Cannes Film Festival - The Daily Beast
- Biskind, Peter. Easy Riders, Raging Bulls, London: Bloomsbury, 1998.
- Biskind, Peter. 'The Runaway Genius' at the Wayback Machine (archived January 15, 2011), Vanity Fair, 460, December 1998, 116–125.
- Cavell, Stanley. The World Viewed: Reflections on the Ontology of Film, Enlarged Edition, Cambridge, Massachusetts: Harvard University Press, 1979.
- Chion, Michel. The Voice in Cinema, translated by Claudia Gorbman, New York & Chichester: Columbia University Press, 1999.
- Ciment, Michel. 'Entretien avec Terrence Malick', Positif, 170, June 1975, 30–34.
- Cook, G. Richardson. 'The Filming of Badlands: An Interview with Terry Malick', Filmmakers Newsletter, 7:8, June 1974, 30–32.
- Crofts, Charlotte. 'From the "Hegemony of the Eye" to the "Hierarchy of Perception": The Reconfiguration of Sound and Image in Terrence Malick's Days of Heaven', Journal of Media Practice, 2:1, 2001, 19–29.
- Denson, G. Roger (June 6, 2011), "Terrence Malick's The Tree of Life Plays Garden of Eden to the Family of Man", Huffington Post
- Docherty, Cameron. 'Maverick Back from the Badlands', The Sunday Times, Culture, June 7, 1998, 4.
- Donougho, Martin. 'West of Eden: Terrence Malick's Days of Heaven', Postscript: Essays in Film and the Humanities, 5:1, Fall 1985, 17–30.
- Ebert, Roger, Review of Days of Heaven, Chicago Sun-Times Inc.
- Fox, Terry Curtis. 'The Last Ray of Light', Film Comment, 14:5, September/October 1978, 27–28.
- Fuller, Graham. 'Exile on Main Street', The Observer, December 13, 1998, 5.
- Hartl, John. 'Badlands Director Ending his Long Absence', Seattle Times, March 8, 1998.
- Henderson, Brian. 'Exploring Badlands'. Wide Angle: A Quarterly Journal of Film Theory, Criticism and Practice, 5:4, 1983, 38–51.
- Keyser, Les. Hollywood in the Seventies, London: Tantivy Press, 1981.
- Maher Jr., Paul (2014). One Big Soul: An Oral History of Terrence Malick. Upstart Crow Publishing. ISBN 978-1-304-59527-0.
- Monaco, James. "Badlands", Take One, 4:1, September/October 1972, 32.
- Malick interview, American Film Institute Report, 4:4, Winter 1973, 48.
- Newman, Kim. "Whatever Happened to Whatsisname?", Empire, February 1994, 88–89.
- Riley, Brooks. "Interview with Nestor Almendros", Film Comment, 14:5, September/October 1978, 28–31.
- Stivers, Clint and Kirsten F. Benson. "'What's Your Name, Kid?': The Acousmatic Voiceovers of Private Edward P. Train in The Thin Red Line", Postscript: Essays in Film and the Humanities, 34:2/3, 2015, 36-52.
- Telotte, J. P. "Badlands and the Souvenir Drive", Western Humanities Review, 40:2, Summer 1986, 101–14.
- Walker, Beverly (Spring 1975), "Malick on Badlands", Sight and Sound, 44 (2), pp. 82–83 – via Eskimo North
- Wondra, Janet. "A Gaze Unbecoming: Schooling the Child for Femininity in Days of Heaven", Wide Angle, 16:4, October 1994, 5–22.